![]() ![]() Utilizing the Cornford Roadhouse 30’s fabulous low/mid gain tone on-stage was getting frustrating, as this necessitated running time-based effects through its FX Loop, and Wah + extra overdrive through the front end. I gigged it for 3 solid years and it never let me down once, but it was even heavier than the Orange and I only ever went up to 3 or 4 on the master at a gig. The Orange featured a fuzz-pedal style overdrive channel that didn’t really work in practice, and then along came the Cornford, another 1×12 beast and the best of the lot. The Marshall had design flaws, no ventilation for the valves, so it ran too hot. The Vox AC30 was just too heavy and too old, unreliable and downright stressful to gig with.
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December 2022
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